I am intrigued by the Illuminated Lettering of Western Europe. It's a type of lettering that really interests me. I would just be content if I could do the other writing that they do but to do the tiny paintings that are based around a letter and the decorative borders just blows my mind. It was usually the first letter of a page that was enlarged and in colour, enhanced with gold and would include animals, plants and mythological creatures.
Illuminated Manuscripts were hand-made books produced in Western Europe between 500 - 1600 CE. with monasteries as their earliest creators. The use of gold and silver "lighting up" the page gave way to the name Illuminated Lettering/Manuscripts and the pages were made from animal skin, eg calf, sheep, goat. The most popular type of illuminated manuscript was the "Book of Hours" which was comprised of Christian Prayers to be said at certain times throughout the day.
Take this letter 'T' as an example. The letter itself is fairly simple in shape but the intricate drawing within it and the beautiful natural forms that surround it and go down the side and across the base are so beautifully drawn. I just imagine some ancient monk sat in a tiny bare room making this beautiful work. If you look closely you can see there are also some very finely drawn brown lines down the left hand side.
Another beautiful example is this one which is rather more pictorial and I imagine tells a story. Even some of the letters in the body of the page are illuminated. I wonder if the figures are saints?
I don't want to swamp you with pictures of illuminated lettering but I have to include one of my favourites. It's a cropped picture of "The Funeral of Raymond Diocrès". Diocrès, who was a professor at the University of Paris, is known for a miracle that happened at his funeral where he returned to life briefly, in order to swear to the assembly that God had judged and condemned his soul. I know it misses the illuminated lettering but the window is just so beautiful and the drawings superb.
What magnificent artists they were all those years ago.
My page was first coloured a light to mid brown using Antique Linen and Vintage Photo applied with a cosmetic brush. I then photocopied the letter "A", coloured it with my Promarkers and fussy cut it out. Yes, I cut the whole thing out - I must have been crazy to start. I then glued it in the centre of my page. Why! I think I was afraid of it getting torn if it was left lying around.
I had chosen a few pieces of illuminated text that I liked and made small copies of them for my page but placing them in different positions I settled on just two - a "b" and what could be mistaken for a "c" (not sure what it is really). That made it "ABC" in my reckoning - artistic licence at large here.
After that I did not know what to do so I began searching through the books Lorraine had loaned me. Most of the letters were too decorative for me to copy. Yes I could trace them but that would not have been the right thing to do imo. Plus they were so intricate it would have taken hours. In the end I settled for the word "Illuminated" comprised of eleven letters simply drawn and so I photocopied them, coloured them in with my Promarkers again, and stuck them across the top of the page.
I then photocopied some of the text from various pieces and tore them up into random shapes which I used to fill in the blank spaces left on the page. And so it was finished. I would have loved to have had the skill and time to do that writing myself with an italic nib on a pen - maybe it is something I can try later in a book solely for the purpose of trying out different scripts.
I hope this has shown another way to look at the theme I chose at Art Journal Journey which as you know by now is "Type". This is another type of lettering and is also a mark/symbol made on a page. I hope you can join in with my theme at Art Journal Journey with your own interpretation of 'type'.